"Wherever Will I Begin?" Soviet Women in Cinema and on FilmĬhapter 4. "We Are Your Children": Soviet Youth, Cinema, and Changing ValuesĬhapter 3. Back to the Present: (Re)presenting the Soviet Past in Feature FilmsĬhapter 2. God's Tramp (Bich bozhii, 1989)Ĭontents List of Illustrations AcknowledgmentsĬhapter 1. The Soviet Union who have not lost hope yet, and to those who already have. To my mother and to all my relatives and friends in To my father, who did not live till glasnost Printed in the United States of America 1 3 5 7 9 10 8 6 4 2 Princeton University Press books are printed on acid-free paper, and meet the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources Filmography: Includes bibliographical references and index. The zero hour : glasnost and Soviet cinema in transition / Andrew Horton and Michael Brashinsky p. Library of Congress Cataloging-in-Publication Data Horton, Andrew. In Place of a Conclusion: The Zero Hour.Ĭopyright © 1992 by Princeton University Press Published by Princeton University Press, 41 William Street, Princeton, New Jersey 08540 In the United Kingdom: Princeton University Press, Oxford All Rights Reserved The Islands of the Continent: A Revised Map for Ethnic Cinemas. From Accusatory to Joyful Laughter: Restructuring the Soviet Comic-Satiric Muse. Down with Stuttering: Soviet Popular Genres and the New Film Language.Ĭhapter 6. Is It Easy to Be Honest? Glasnost in the Documentary Film.Ĭhapter 5. Glasnost: Down with Stuttering.Ĭhapter 4. "Wherever Will I Begin?" Soviet Women in Cinema and on Film. "We Are Your Children": Soviet Youth, Cinema, and Changing Values.Ĭhapter 3.
Back to the Present: (Re)presenting the Soviet Past in Feature Films.Ĭhapter 2.
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